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The Grace and The Grind: The Benefits of Slogging it Out

June 7, 2017 by tprochera Leave a Comment

Picture it.

You are going about your day – perhaps you are on a walk, perhaps you are washing the dishes. All of a sudden, you feel The Muse touch you with her magic.  A brilliant idea enters your head and you rush to your work space before the inspiration can escape.  And it doesn’t stop there. Next thing you know, the poem, the song, the painting, is complete. There is not a word that needs to be changed, not a brush stroke that needs to be added.

This is what happened to me recently and, if you haven’t experienced it, it’s a beautiful thing. I was struck with an idea for a song and, in the process of writing down a potential title, the song seemed to complete itself.

When we can spend months, if not years, agonizing over the details of a creative project, it can be such a relief to have something go smoothly. We find ourselves eternally grateful for that ease that makes us believe this idea that inspired us was destined to come to pass.

But we have also often heard that it is in the challenging times that we experience the greatest personal growth and this can apply to our creative pursuits as well.

Those projects that are harder to wrap our heads around can lead to exploration, the acquisition of new skills. In theory, we would always love to be growing and evolving but there are times when we can find ourselves almost unconsciously stuck in a rut, doing the same kinds of things over and over again because it’s comfortable. Our fingers just go to those chords, those turns of phrase keep appearing over and over again. I know it happens to me from time to time.

Then an idea comes along that excites us so much we have to engage even we don’t know how it’s going to turn out. Maybe it’s in a new genre or style. Maybe you’ve been painting in watercolours but have a vision of something in oils.  Maybe you have just a title but no idea whether it’s going to be a poem, a short story, or a novel. And if the idea wants to be a novel and you’ve never written one before? That’s scary stuff!

It’s scary but it can also be fun because it now presents you with an opportunity to, in this case, do research into how to write a novel – the type of structure, narrative arcs, character elements. Sure, after you’ve looked into it you can choose to abandon any precedent and recommendations but at least you will have some new tools under your belt should you want to use them.

So, enjoy the easy times when everything is in flow and be grateful for those pursuits that ask you to reach further, to dig deeper. You will be the better for it!

 

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian music, composer blogs, creative inspiration, creative living, inspiration, muse, swimming tigress music, tiffany prochera, tips for artists, tools to create

Agents, Managers, And Defining Yourself As An Artist

May 30, 2017 by tprochera Leave a Comment

handshakeSo, more than a few years ago, I went to meet with a local talent agent to see if they might be able to me get more work as an actor.

I wasn’t too serious about it but I was open to opportunities should they arise. Where I live, it’s not a required thing to have representation – it’s easy enough to submit material to casting agents on your own – but I thought it couldn’t hurt to have somebody else in my corner.

We met at a coffee shop and I had no idea what to expect. I had never had an agent and I was a little intimidated by the imposing figure that approached me. But I would see where it led.

He took a look at my resume and immediately criticised the categorization of some of my acting jobs. Now, I’ll be the first to admit I don’t know everything and I have no problem with someone pointing out differences but I wasn’t making this stuff up. I found the term whilst doing some research online and his assumption that I was wrong and he was right and there was no in-between kind of set me off from the get-go.

Then, he pointed to a voice project I had done for a short promotional animation project and asked if the company had asked me to work for them again. I said no. He seemed to be displeased and my interpretation of his reaction was that this was an indication I wasn’t very good. This may have been true at the time, maybe not, but I wasn’t aware of all of the company’s projects. They called me to do one thing and I did it. Maybe it was the only time they had taken on such a project that required voice overs, or that required my type of voice. I didn’t know.  Again, the assumption was not appreciated.

Finally, we talked about roles and such and what we felt I might be suited to. I told him I wanted to make a positive impact and preferred my roles to reflect that mission.

He then proceeded to tell me that the industry will decide what roles I would be suited for. If the industry thinks I would make a good serial killer, that’s what I get to be. I can’t remember if that was before or after I had turned down an audition to play a pedophile foster parent or some such silliness.

Needless to say, that was our one and only meeting.

Listen to me. YOU get to choose how you represent yourself in this world. I have said before that what we create goes out there and affects people. That’s why we do it. You cannot always control how what you do is interpreted or received – criticism may arise even when you have the best intentions – but YOU must define who you want to be.  You may or may not get as many opportunities as you would if you had chosen a different approach but the choice must be yours. And they say that the greatest, most sustainable success comes when you are being the most true to yourself so it’s really a win/win!

You do not have to take every job that is presented to you and you do not have to be involved with something that does not align with who you are, whether it’s the project itself or the people you would be working with. I mean, you can if you want, but you don’t have to do it. You can always pick up a few extra shifts at Starbucks until a project that resonates with you, or at least a project that doesn’t make you cringe, comes along.

And, while I’m at it, you don’t have to take on an agent or manager just because they want you, meaning they think you can make them money. If you are to thrive, it’s important to connect with people who understand who you are and who you want to become and are more than eager to help you become that. They can certainly present new avenues and horizons to you – you still need to grow as an artist – but they have to have your spirit as well as your bank account in mind.

When you meet with a potential business collaborator, remember that you are interviewing them as much as they are interviewing you and you have a right to decline if you don’t jive and you don’t think they can help you move towards your ultimate goals.

You want somebody in your corner who says, “I get you. I believe in you. Now, let’s rock this thing!”

Have a great day!

 

Filed Under: Uncategorized Tagged With: acting, blogs about music, canadian composer, canadian music, collaboration, composer blogs, confidence, creative living, manitoba music, talent agent, talent manager, tiffany prochera, tips for artists

Disneynature’s Born In China and Thoughts on Perspective

May 23, 2017 by tprochera Leave a Comment

Image result for disney born in china movieSo, I was recently watching the latest Disneynature documentary, Born In China. I am a lover of nature and I enjoy opportunities to explore different environments.

The film tells the story of three animals and their families – a snow leopard, a giant panda, a golden snub-nose monkey. It was fascinating to watch the family dynamics and to learn about how these creatures interacted with each other and their surroundings. Did you know that a female giant panda lives in solitude unless she has offspring to care for? It was news to me!

Anyway, I noticed something near the end of the film that came as somewhat of a surprise to me. I’ll try not to give too much away in case you’re planning on seeing it if you haven’t already.

The snow leopard, Dawa, a gorgeous creature, and her two young daughters had been having a rough time of it. They were run out of their territory by a rival and, with winter upon them, food was scarce.

That was rather poetic, wasn’t it?

Anyway, a herd of chiru – which I believe is the Chinese name for yak, but I could be mistaken –passes by and Dawa takes her shot at a young one as it would be easier to overtake than a full-sized adult. Of course, the baby chiru’s mother doesn’t approve and defends her child against the intruder.

In a moment of clarity, I found myself being aware of my thoughts and I wondered why I was rooting for Dawa. Didn’t the baby chiru have its own right to survive? Didn’t the mother chiru have the right to take care of her child?

And then it struck me.

It was all about perspective. It was about whose story was being told.  The chirus may have had just as perilous of a journey, the mother likely cared for her offspring just as much, but because I knew more about the snow leopard and her cubs, because they had the cameras on them and were being viewed through a sympathetic lens, I wanted them to win. The baby chiru was not a sympathetic character in my eyes. It was nothing more than a walking meal.

In our art, we often must choose a perspective from which to view the situation, and we need to be aware of the effect the perspective has on the story and the audience, good or bad. We, as artists, have the power to manipulate thoughts and emotions. Who do you want the audience to relate to? What do you want them to take away from the experience and what role does perspective have in that? Every character in a narrative has their own story and their actions can often be viewed in more than one way. A somewhat obvious but fascinating notion!

On a personal level, it’s also something to be aware of as we go through our days. A person who may be cast merely an extra in the film of your life has their own rich world of experience and that awareness can help us treat others with a little more consideration and compassion.

 

In Swimming Tigress news, I uploaded several new images to Pinterest –inspiring memes that you might get something out of! New voice clients, lots of new music coming up – goodness all around! And don’t forget to visit the Swimming Tigress Shop for inspiring books like A Candle At Both Ends and Mocha and the Moon, fun sheet music like Brain Freezes and my children’s album, Ladybug Crossings!

 

Thanks for reading and have a great day!

Tiffany

 

 

 

Filed Under: Uncategorized Tagged With: blogs about music, born in china, canadian composer, children's music, creative living, disney, disneynature, manitoba music, music blog, perspective, swimming tigress music, tiffany prochera, tips for artists, tools to create, writing

Broadway’s Hamilton, The US Currency and the Power of Fandom

May 26, 2016 by tprochera Leave a Comment

Hey all!

Today I want to talk about the power of art and how it can reach way beyond the work itself. More specifically, I’d like to touch on the power of fandom.

Now, as artists we all love and appreciate our fans. When someone enjoys our work and supports our endeavours, it can really help us keep on creating when times get tough and we feel discouraged for some reason. But did you ever think that a piece of art, specifically a hit Broadway musical, could impact a country’s financial system? Crazy, isn’t it? But it may well be happening as we speak!

The musical I’m talking about is, of course, the über-brilliant Hamilton, the hip-hop infused telling of the story of the American political figure, Alexander Hamilton, created by the genius, and recently Pulitzer Prize-crowned, Lin-Manuel Miranda. If you haven’t heard of Hamilton, I must say I’m surprised at the strength of the internet connection underneath your rock that’s allowing you to read this blog post right now. Just kidding – but not. 🙂 This show is taking the world by storm. Tickets are essentially impossible to get, it received a record-breaking 16 Tony nominations, and Miranda, who also stars as Hamilton, has thousands of people liking his tweets within minutes of posting. There are even those who literally will not go to sleep until he has shared his daily “G’night” tweets!

So, this is the first part of the equation –the crazy popular show. Now, to the financial bit.

In the States right now, for those of you who aren’t from the US or privy to their news – I’m from Canada but, being neighbors, we’re pretty much aware of all American goings on – there has been great discussion of what figures appear on the US currency. There is a fabulous campaign to finally have a woman represented on the bills and it appears that the abolitionist, Harriet Tubman, is the winner. A woman highly deserving of the honour, to be sure!

But what bill should Tubman be on and who, then, would be kicked off? The plot thickens. Many have been suggesting she should be on the $20, an honour currently held by Andrew Jackson, a slave owner. That would be quite the touché! The US Treasury Secretary, Jacob Lew, had proposed the $10 bill but seems to have changed his mind. Can you guess why? Who do you think is on the $10 bill now? None other than America’s founding father without a father, Alexander Hamilton! So, the sneaking suspicion is that the response from Hamilton fans has prompted the change of heart! Pretty cool, eh?

As we know, art can be incredibly influential but this it certainly kicking it up a notch. How would it feel to have fans who are that devoted to your work, to be able to have that kind of influence and really make a difference beyond the art itself? I certainly strive to inspire people – that’s totally my m.o. – and knowing that I have affected someone’s life in even a small way is such a blessing. I couldn’t imagine starting an outright movement!

If you did desired such a thing -and I’m not saying you do necessarily – but if you desired that kind of impact even on a smaller scale, what would it take?

Well, it takes 1) a work that is undeniably great. It takes honing your craft so that you can create something that connects with audiences on a number of levels. Seriously, I don’t think I have been affected emotionally by a work of art as much as I have with Hamilton – and I’ve only been listening to the soundtrack!

And 2) you need to communicate with your people! You can have an absolute masterpiece on your hands but if nobody knows about it it’s just a bunch of boxes of stuff sitting in your apartment. Seriously, I’ve totally been there! Miranda, is so engaged online – so supportive and encouraging of fans and other artists and always sharing fun behind-the-scenes stuff. Now, I don’t know what came first, the chicken or the egg. You might be thinking, well, he’s a big deal (he also wrote and starred in the incredibly successful In The Heights). Of course, people would care about what he has to say . But maybe that’s what he’s always done. Maybe that’s how people started to become aware of his shows in the first place – through his reaching out and connecting with those who might appreciate what he has to offer.

So, I would invite you to keep working on your projects until they are the best you can make them. No, they’re probably not going to be perfect but keep learning and striving to make things that you’re really, really proud of, things you will be excited to release out into the world. And try interacting with your fans, and future fans, like you’re already a big deal. Let them know you’re there. Create fun things to share. Don’t just shove your CD or your book in their faces all day, every day. Give them something of added value – maybe a fun video series, behind-the-scenes shots – stuff that will keep them coming back for more. And they will!

That’s how you get your work out into the world so you can really make a difference. And if you haven’t heard Hamilton yet or seen the show, get on it already! It’s so full of infectious earworms it will keep you up at night and it made my momma cry but that’s a small price to pay to witness awesomeness!

Okay, onto some Swimming Tigress news!

Ladybug Crossings, my album for kids under the name Tofaru, is up on iTunes, Amazon, CD Baby and all your favourite digital services. It will get the whole family singing along so get your copy today!

Recently, I’ve provided the voices for a couple of video games and an episode of an animated series, which was a hoot! When they’re actually available, I’ll tell you more.

I wanted to do something to inspire positivity online so I started the Twitter hashtag #MyGoodNews so people can share the good things going on in their lives. I thought it would be fun. Join me, won’t you? Get on Twitter, use the hashtag and share your good news!

In addition to “Tabitha’s Magical Voice”, “Mocha And The Moon”, and A Candle At Both Ends, I’m going to be placing my catalog of sheet music onto Amazon in Kindle form and in the original paperback. I’m in process right now but I’ll let you know when it’s done. In the meantime, you can still get the music in paperback and PDF format from the Swimming Tigress Shopify Store. You can visit the store here! And of course, check out “Tabitha”, “Mocha”, and Candle while you’re at it! As you may know, I’m rather new to the Amazon e-book thing so if you see something amiss, be a peach and give me a heads up, will you?

Okay, that’s all for today folks! Make it a great one!

Filed Under: Uncategorized Tagged With: Amazon, american $20, bad moods, blogs about music, brain freezes, canadian composer, candle at both ends, children's music, creative inspiration, ebook downloads, fandom, fans, Hamilton musical, Harriet Tubman, iTunes, ladybug crossings, Lin-Manuel Miranda, manitoba music, music blog, music for kids, Shopify, swimming tigress music, tiffany prochera, tips for artists

Ladybug Crossings Has Arrived!

April 12, 2016 by tprochera Leave a Comment

ladybugcrossings cd cover

Hey Guys!

 

So, usually, I will post about a book I was inspired by or offer some tips to aid in your creativity. And there’s absolutely more of that to come!

But I’m going to kind of forego that today because I have some exciting news!

Ladybug Crossings is here!!!!

 

I’m so excited! The album is full of songs kids can relate to with catchy melodies that will have the whole family singing along. Trust me, there are some serious earworms in there! And some songs, like Doodley Do and Mr. Willywallywolowitz, come straight from my Bad Moods and Brain Freezes collections so you can get the books and learn to sing them too!


 
 
The album is now available on all you favourite digital streaming services – iTunes, CD Baby, Amazon, Apple Music and more! Feel free to take a moment to buy your copy before you continue reading… 🙂

ladybugcrossings cd cover

BUY ON ITUNES         BUY ON CD BABY     BUY ON AMAZON

 

Welcome back!

So,I guess here’s a tidbit, a nugget of advice, to take away from this – other than the music, of course, which I really hope you enjoy!

A few years ago – and you may already know this story – I was at my computer and tried to type my name. I can’t remember what I was working on exactly but my fingers happened to be in the wrong position on the keyboard and Tofaru is what came out. I could have ignored it as just a blip but I looked at the combination of letters and thought, You know, that’s a cool name. If I was ever to put out a children’s album, that’s the name I would use.

Fast forward to a year or so later. It was a lovely spring day –or was it fall? I was walking along the sidewalk close to my home and I almost stepped on a ladybug– Heaven forbid! – who I can only assume was busy running her daily errands. Being a lover of ladybugs – they really have impeccable fashion sense – I was concerned for the welfare of my new friend and immediately thought to myself, You know, they should have ladybug crossings.“ It occurred to me that that concept might make for an interesting song so I kind of kept that thought in the back of my mind but didn’t really do anything about it at the time.

Then, about a year after that, I was getting out of the car in front of a movie theatre, looked down at the ground and there was a another ladybug right by my feet. Of course, ladybugs are rather ubiquitous in the appropriate season but this ladybug seemed to be telling me, in her polka-dotted fashion, to get a move on it already and start making the album.

So, I did!

And the point of telling you all of this? The moral of this story?

Don’t take any moment for granted. There is a saying that suggests there are no coincidences and I pretty much believe that’s true. If I had just ignored all of the little hints and serendipities, Ladybug Crossings would not exist.

So, be aware. If something pops into your mind, don’t toss it off. It could be the inspiration for your next film, your next novel. It came to you for a reason. And, like Elizabeth Gilbert says, if you don’t do something about it, if you don’t act on that inspiration and create, the idea will just leave you and find someone else.

I hope you enjoy Ladybug Crossings as much as I enjoyed making it! And spread the word if you like what you hear. Music is such a beautiful thing to share and, well, watching kids dance around the house is always fun, isn’t it? 

Have a fabulous day!

ladybugcrossings cd cover

BUY ON ITUNES         BUY ON CD BABY     BUY ON AMAZON

Filed Under: Uncategorized Tagged With: Amazon, bad moods, blogs about music, brain freezes, canadian composer, canadian music, CD Baby, children's music, composer blogs, creative inspiration, creative living, Elizabeth Gilbert, Elizs, iTunes, ladybug crossings, ladybugs, manitoba music, music for kids, swimming tigress music, tiffany prochera, tips for artists, tofaru, tools to create

The Mozart Effect and Using Art to Heal

March 1, 2016 by tprochera Leave a Comment

mozart effectHey all!

So, I am revisiting a book called The Mozart Effect by Don Campbell. It’s all about the power of music and sound to heal and largely follows the research of Alfred Tomatis, a French physician who discovered ways of treating everything from Alzheimer’s to autism with sound. And there’s more. Different genres and even the music of specific composers can be used to boost creativity and subconsciously reorganize the brain. As the saying goes, there’s something in it for everyone!

I actually 5 weeks one summer at a listening therapy clinic in Toronto. I was helping the therapists working with kids with autism as they were listening to recordings of their mother’s voice with the lower frequencies taken out. The intention was to recreate the sound of the voice in the womb and, hopefully, increase communication. It was a fascinating experience. I actually had a little girl take my hand and, with determination in her non-verbal little voice, lead me around the room. According to the therapist, she was trying to arrange me, put me in my proper place in her space. I was a part of her tableau! While I was a little miffed at being bossed around, I was pleased that she at least wanted me in her picture! 🙂

But I digress. So, there are so many things that are coming up for me as I continue reading this book. How can I help others heal with my work? How can I use music to help others, even if it’s not mine? How can I help improve my own life with these techniques?

Have you ever thought about how you might be able to use your art form to heal – not just through the stories you tell, but through the technical processes of your medium? There is a growing interest in art therapy – with people working in hospitals and clinics to promote recovery and wellness. To practice music therapy, you actually need to get a degree and I imagine that’s pretty common among the art forms. But if that’s quite your thing or you’re not really interested in working in a clinical environment, you might want to consider at least doing some research into the field to see what techniques or applications you might want to incorporate into your work to make it even more impactful.

Just a thought!

 

candle cover shadow oct 2014

And in Swimming Tigress Music Land, I am super happy to announce that we are now On The ‘Zon! I think that should be a new hashtag – #OnTheZon !

Anyway, I have finally released three Kindle ebooks on Amazon – A Candle Amocha cover page feb 2016 smaller jpgt Both Ends, Tabitha’s Magical Voice and the original story of Mocha And The Moon – along with the paperback version of Candle.

 

There is a TABITHA-cover-jpg-smallerload of inspiration and fun in these reads to I invite you to check them by visiting the links below and get your copies today. And you can spread the word while you’re at it! Enjoy!

 

 

Candle At Both Ends: http://www.amazon.com/dp/b01c3j0x02

Tabitha’s Magical Voice: http://www.amazon.com/dp/b01c4jqnfa

Mocha and the Moon: http://www.amazon.com/dp/b01c3k6xfk

Filed Under: Uncategorized Tagged With: Alfred Tomatis, art therapy, blogs about music, books for kids, canadian composer, canadian music, candle at both ends, composer blogs, creative inspiration, creative living, Don Campbell, inspiration, kindle ebook, mocha and moon, mozart effect, music and the brain, music blog, music therapy, swimming tigress music, tabitha magical voice, tiffany prochera, tips for artists, tools to create

Dealing With Fear – Some Tips From Marie Forleo

February 10, 2016 by tprochera Leave a Comment

marie-forleo-b-school-founderHey guys!

Let me put something out there. Fear is a natural part of life, almost a given. Whenever we experience any amount of uncertainty in our lives, it has the great potential to manifest as fear on some level . And as creative people desiring to innovate and try new things, that uncertainty and, by extension, fear can seem to be a daily occurrence.

It certainly is for me. I know that every time I start a new project or sit down to work, I wonder if it’s what I’m supposed to be doing, if I’m going to be proud of it, if it’s going to be successful. All that jazz.

So, how do we deal with it? Do we wish the fear away? Do we just pretend like it doesn’t exist?

I am a big fan of Marie Forleo, a business guru from New Jersey who teaches entrepreneurs to create their businesses from a place of love and compassion and a true desire to contribute goodness to the world. I took her B-School course a couple of years back and it has totally changed that way I do things. Even this existence of this blog is a result of her wisdom!

Marie’s latest blog post, an episode of MarieTV, is all about working with through your fear – not trying to wrestle it to the ground.

And how can you do that?

Well, the secret is a process called “flashlighting”. Instead of focusing on how scared you are, painfully second-guessing every stroke of the brush or every word on the paper and how it will make or break your career, try focusing outside of yourself. Put your attention on the work and the story you have been assigned by the Muses to tell. Put your attention on the people who are going to be moved and inspired by what you are doing. In doing so, you mission as a creator will become more clear and you will be inspired to move past your fear and attend to your divine purpose.

I highly recommend you check out the complete episode of MarieTV here and consider registering for the upcoming B-School if you are a creative person striving to build a business that changes lives!

In some Swimming Tigress Music News, I’ve got a couple of new instrumental tracks for y’all. Check out the videos and then if you are interested in using these track for your next project or need a composer to do a custom score, get in touch through the contact page!

 

 

 

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian compsoers, fear, manitoba music, Marie Forleo, music blog, swimming tigress music, tiffany prochera, tips for artists, tools to create

Elizabeth Gilbert’s “Big Magic” and Weighing Down Your Creativity

February 3, 2016 by tprochera Leave a Comment

big magic 2Hey guys!

Right now, I’m watching Eat Pray Love for about the 6th time on TV. I love the sense of adventure and reinventing yourself! And, well, who wouldn’t enjoy eating a margherita pizza in Naples?!

So, of course, today’s blog post has to be about Elizabeth Gilbert.

I recently read her latest offering, Big Magic – all about the mystery and magic of creativity – and every chapter seemed to bring a new revelation or point to ponder. Some ideas I am absolutely on board with, others I’m just not sure how I feel about them yet.

Have you ever thought about what you expect from your creativity? Do you expect your creativity to bring you world fame? Have about millions of dollars or at least a reasonable living? How about a different understanding of the world, a greater sense of meaning that you can then share with others?

Well, how about this? Gilbert’s take on creativity is that it, in fact, does not owe us anything.

According to Gilbert, each idea is is a living, breathing entity looking for a place to happen, on a search for expression, and you should feel incredibly honoured if it chooses you as its channeling vessel. If you ignore it, it will move on to someone else – she has a crazy story about an idea that left her and found a new home – and if you expect anything from it other than the joy and frustration that comes with the act of creation itself, you are stifling it and potentially scaring it off.

Can’t say I’m not guilty of all of this myself. I have passed on ideas because I didn’t take the time to write them down and then, of course, forgotten them later on. I’ve had expectations that a work is supposed to be my break out thing, that it’s supposed to make me x amount of dollars within the year, that it’s going to affect specific people. I’ve even wrestled songs and stories to the ground to make sure they convey the message I want them to convey, which may not be the message they came here to convey.

So, apparently, a more effective goal might be to embrace and invite creativity – even woo and seduce it – and if you somehow get paid or get recognized for it, great. And if that happens on a relatively frequent basis, you might be secure enough financially to quit your day joy and engage in it full time. But you should never place such pressure on it because the work, the creativity, needs to be what it’s going to be and not what you want it to be.

So, my question is, what is your relationship to your creativity? What kind of expectations have you placed on it? Are those expectations working for you or is it time to, perhaps, re-evaluate, reschedule and reconfigure so that you get the best of all worlds?

I will leave you with that thought for today. Enjoy and please share your thoughts in the comment section below! I can’t wait to hear what you have to say!

 

Filed Under: Uncategorized Tagged With: Big Magic book, blogs about music, canadian composer, canadian music, composer blogs, creative inspiration, creative living, Elizabeth Gilbert, inspiration, manitoba music, swimming tigress music, tiffany prochera, tips for artists, tools to create

Write What You Know or Leave It All To The Imagination? Points To Ponder Courtesy of John Irving

January 14, 2016 by tprochera 2 Comments

So, I was recently listening to an interview with the celebrated writer, John Irving, author of The World According To Garp among many other great novels.

Near the end of the interview he said something that intrigued me greatly. He said that he has essentially led a boring life, one free of any serious traumatic events, and this has given him the freedom to imagine things much more horrific that have ever happened, or could ever happen, to him in real life.

Isn’t this an interesting concept? I’m sure we’ve all, at some point or another, been encouraged to work from our own experiences somehow, to “write what we know”. Irving seems to counter that idea, suggesting that, if “what you know” is too intense, you can become stuck in those moments and unable to venture outside of them. But if your reality is, well, dull and unremarkable then you have a blank slate and all possibilities are open to you. At least that’s how I’m interpreting his comments and I apologize to Mr. Irving if I am mistaken.

What do you think? Work from imagination or work from experience?

I think I get what he’s saying. If you have been through something worthy of building a piece of art around it (well, anything can really be seen in a creative light but we’re talking epic events here) I imagine it would be tempting to recreate everything as it happened from your recollection. And, coming from reality, the images would certainly be vivid. But the whole story might not make for the best piece of art in the long run. Maybe the essence of the event is fascinating but it would be even more so if x character were added or it took place in a different location or a different point in history.

It makes me think of The Silver Linings Playbook. I was absolutely mesmerized by the book – couldn’t put it down – but there were just enough details changed in the movie version to demote it from amazing to pretty good in my mind. It’s not the same thing but it is. Anyway, I get his point that, when you feel confined by reality, you might not be able to make the most compelling story possible.

What is your take on this theory? I’d love to hear your thoughts so put them in the comments section below!

Have a great day!

 

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian music, creative inspiration, creative living, inspiration, John Irving, manitoba music, music blog, swimming tigress music, tiffany prochera, tips for artists, tips for writers, tools to create, writing tips

An Interview With Visual Artist, Sharon Cory

December 10, 2015 by tprochera Leave a Comment

sharon paintingHey guys!

This week I wanted to open things up a bit and share some new perspectives. I thought it would be fun to get into the mind of Sharon Cory, a brilliant visual artist a painter, to be specific – who once hailed from Winnipeg, Manitoba but has recently relocated to Emerson and has been able to enjoy a thriving career through her art. So, asked her a few questions about her inspiration and her creative process and here’s what she had to say.

Me: When did you discover your love of painting? What attracted you to the medium?

Sharon: I’ve been making things with my hands since I was four or five. I remember that behind our house on Waterford was a factory that made upholstered furniture. There were always heaps of fabric pieces stacked outside in the garbage and I used to haul bags home to make crafts with. Things like doll purses and clothing. I would set up a table on the street and sell to the neighbourhood kids. As soon as I started school, I discovered the world of art materials and I was off and running. I learned from comic books how to shade, and use colour and all my spare time was spent looking at art and trying to copy how it was done. My grandfather was an artist and photographer, and although I was young when he died, I grew up knowing that it was a legitimate profession, although making a living at it was hard. I was the class artist throughout school, but was dissuaded from going into fine arts in university by the guidance counsellor because no one could earn a living at it, which was obviously a common theme. I went into architecture instead, but after the second year, realized that the fine arts faculty was where I should be. I had no interest in painting at that time because I fell in love with pottery…..it was just like being a child again, I spent all my time making things. But eventually I realized that it was the glazing I really enjoyed, the surface decoration.

Me: When did you first begin to identify yourself as an artist? When did you choose to pursue your craft in a professional manner?

Sharon: By my mid-twenties, I was sick of school, dropped out, still missing a few credits and got a job. After working for a few years to pay off student loans, I started to paint. By this time I was married and started having kids. I found that it was pretty easy to make painting a part of the daily routine and the kids were just as involved with their own art projects right alongside me. It was a very easy step into realizing how intrinsic art was to my life and when I sold my first painting, I felt like it could become my profession. It was probably another decade after that I felt like a serious artist, that is, I wanted to make, not just pretty pictures, but work that reflected who I am and how I felt about the world.

Me: On your website you refer to your family history, how your parents came from Lebanon, and speak about the Syrian refugee crisis and how we should be supportive and welcoming of these people in their time of need. You then include a series of works that seem to reflect on this topic and what the refugees are experiencing. How important is it for you to make a statement in your work? Do you always strive to convey a message?

Sharon: For the last twenty years I’ve felt like I’ve found my voice as an artist. I’m confident that the things that interest me visually are of interest to others and that I have the skill to interpret my impressions and opinions. Now that I’ve reached this stage, it’s impossible to go back to a perhaps more innocent kind of Art….you know, little children running through meadows of flowers, for example. There’s nothing wrong with that and often I paint something simple just for fun. But I see the world a certain way, I feel the hurt of war and victims, refugees, people who have suffered injustice. Painting these feelings helps me, in a cathartic way, to accept my powerlessness to right the wrongs.

At the same time, I feel life is wonderful, how people struggle to survive and raise their children is a beautiful process and by recording it, I can share in their struggle. We are all refugees in small ways….we live with fears and anxieties that make us feel like our life could collapse at any time and we have to be prepared to flee to safety. It’s all part of the process of growing. Many of my themes are centred around how women handle these stresses, because of course, that’s what I know.

I really feel it keeps me sane to play out these themes in my work. It’s the particular conversation that I want to have with people who look at my art. That answers question 5. The role of Art is to enable people to have a view into the many aspects of the world that they might not be able to experience physically. That’s why it’s timeless. We can look at a vista painted by Leonardo and feel like we’re living in Renaissance Italy.

Me: Your work has been widely displayed in galleries and you have been commissioned by a number of businesses and organizations. And yet, you also mention on your web site that you have no interest in promoting yourself. To what do you attribute your ability to have a thriving career without all of the self-promotion and hitting the pavement that so many artists dread but feel they must accept as part of getting themselves out there?

Sharon: It used to be the role of galleries and art agents to discover and promote artists whose work they felt was noteworthy or memorable in some way. Somewhere along the way it became more important to promote art that would make money and now things are way out of whack. Art has to have a gimmick to get noticed so artists have taken to promoting themselves. At some point you start feeling like a hooker, so I’ve concentrated on building a body of work and getting it out there by looking for a niche that I could fill. In my case, I found that I could paint recognizable scenes of Winnipeg that were still arty, and sell them to businesses. One or two clients led to ten then a few hundred, etc. Word travels quickly when there’s paintings hanging on the wall. To be successful, though, I had to develop a business attitude and look at my art as a product. This is anathema to most artists, but I could live with it as long as the commercial product was balanced by my own art. I looked at it as my day job that was still a lot of fun, because I was painting after all. I also set parameters for myself. I promised never to produce a painting that I would be embarrassed to sign. I refused to copy anyone else’s work or style. And as much as possible I avoided the middlemen of galleries and agents, and dealt directly with my client base.

Me: And last but not least, do you have any words of wisdom for those just starting out in their creative careers?

Sharon: I’ve spent a lot of time helping artists learn the tricks of making money at their art careers. The best thing they can do is put together a body of work before they start to sell. Through this process they’ll find out who they are, what they have to say, and they’ll get a lot of the embarrassing stuff out of their system. They have to brand their art , make it stand out from everyone else’s and that is a hard thing to do. They also have to find their market, the clients that will appreciate their vision. The world is flooded with good images, because of the net. Seeing good art everywhere can be intimidating and make a young artist feel like they have nothing new to say, so they end up copying. But if you look at the world of music, it’s easy to think that all the good songs have already been written so why bother? And yet, along comes a new hook, a melody that is completely new, a rhythm that hasn’t been heard. In art it’s the same. Technology has only added another way of looking at the world and opening our eyes. On a practical note, I’ve met thousands of artists who have a hard time selling anything, because they’re setting too high a price at the beginning. They want to jump in at the levels of established artists selling in galleries and it just doesn’t work that way. Start low and rise gradually as you get better.

 

I’d like to thank Sharon for her wisdom and insight. I know I was inspired!  To learn more about her work, you can visit www.sharoncory.com .

Have a great day!

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian music, composer blogs, creative inspiration, creative living, painting, Sharon Cory, swimming tigress music, tips for artists, tools to create, visual arts

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