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Show Me The Money! Why Artists Need To Pay Each Other

June 4, 2015 by tprochera Leave a Comment

Hi guys!

 

So, I know the idea of money and creativity is a contentious issue that has been talked about a lot in various capacities. Whether it’s dealing with the use of existing art or getting someone to work on your project, money comes up a lot and I’d like to put my two cents in. Ha! Get it?

When you’re talking collaboration of some kind, it’s a sticky wicket, for sure. On the one hand, everyone wants to be paid fairly for their work. On the other hand, you may want to start a project that requires the skills of other people that you feel you simply don’t have the money to pay.

I get it. I’ve totally been in that situation where I would love to hire a <insert creative title here> to help bring my project to life but I don’t have the funds. And it’s so tempting to say “Hey! Who’s willing to work for free?” And true, there are situations when you all decide to engage in a project together – like a band – and the money comes from those who hire you to play. That’s different.

I’m bringing this up because I go to a lot of networking events and have heard people say outright, “I’m looking for an <x> and I have no budget so I need someone to do it for free.”

And you might be thinking well, you gotta do what you gotta do, right?

But here’s the thing . It’s a slippery slope, a vicious cycle, if you will.

If I, as a musician, for example, do a bunch of work for no pay – like scoring your film – then either one of two things is the case; either 1) I need to work a regular job to make an income or 2) I have no income.

In the first scenario, if I have to spend most of my time at an unrelated job – I realize that some people prefer it that way but let’s say I want music to be my full-time gig – not only am I less likely to be giving my best to your volunteer project , which affects both my reputation and the quality of your project, but I have less time available to study and practice and get better at my craft.

In the second scenario of having no money, this means I am unable to pay others to orchestrate the score, provide copying services, design an album cover etc.. I can’t afford things like the $200 a month I would need to spend on  lessons to becoming a world-class vocalist or composer or whatever.

Do you see how it keeps coming around? You don’t pay me so I can’t pay anyone else – and by me I mean any creative person, not me specifically! And I might not have the money in my pocket to go see any other movies you might release. Ultimately, the whole industry – and, some would argue, the world – suffers when artists are unable to better themselves and dedicate themselves to their work.

So, my thing is, I get money can be tight. But, if you strongly believe in your project, there may be ways, whether through grants or friends and family or other benefactors, to allow you to provide financial compensation to those who are working with you. Try not to immediately jump to the donation of services until you have exhausted all other possibilities.

Trust me – your project and the creative industry as a whole will be richer for it!

 

So, now to some Swimming Tigress Music News.

Ladybug Crossings is coming along swimmingly and I know I’ve put up a few lyric videos.

But I wanted to share something with you that you can take anywhere – a free download of the title track!

Just click on the little Download button and away you go!

 

Enjoy! And don’t forget to come back or visit www.tiffanyprochera.com for more updates!

 

Have a fabulous day!

 

 

 

Filed Under: Uncategorized Tagged With: artists and money, blogs about music, canadian composer, composer blogs, creative career, creative collaboration, creative living, download music for singers, making money as an artist, manitoba music, singing, swimming tigress music, tips for artists

There’s no Competition in Creative Collaboration!

May 19, 2015 by tprochera Leave a Comment

competitionWell, okay, I was trying to put a spin on the classic quote from A League of Their Own, “There’s no crying in baseball.” But I’m not sure if it worked. But anyway….

I bring up this idea of competition because it came up for me recently.

I had just returned home from four days in Vancouver at the Tapestry International Festival For Women’s Choirs. It was an amazing experience where four choirs – Electra from Vancouver, Canzona from California, Cantus from Norway and our Esprit de Choeur from Winnipeg, came together to connect and perform two concerts as individual choirs and as a mass group.

Upon arriving home, I went immediately from the airport to a family event and found out someone had read an article about us in the paper that was printed before we left for the festival. Apparently, the article suggested there was no competition among the members of our group.

And I thought about it and, really, there isn’t – at least not on public display. Solos etc. are handed out and no one says boo about it. And there didn’t appear to be competition at the festival either. There were a couple of solos to audition for but there was no drama around it.

And thinking about the article I wondered why that was and is it the way it should be?

And here’s what came to mind.

There are different levels of competition. Yes, we always want to do our best and maybe get the solo or whatever reward may be presented in front of us but often with the idea of competing comes the hope that the other person doesn’t do as well, that they might fall on their proverbial face.

But when we’re in the process of collaboration, don’t we want everyone to be on their a-game? If you want to put on the best musical performance, wouldn’t you also want to have the best person for the job singing the solo etc. even if it’s not you?

And it’s not necessarily about how fabulous you are – because you are, of course! – but each work has its own vibe, if you will, and certain people are more suited to that vibe than others, that’s all.  It’s just like if you were hiring an graphic artist to create a logo or an illustration for a business. There may be several people who are equally talented artists but you have to go with the one whose style fits with the image you are trying to present.  It’s hard, I know, but when we are working together we have to try and get our egos out of the way if the best result for the audience is to be achieved.

Speaking of egos, I had a part of a small group solo during one of the mass choir songs and, before the final performance we were organizing ourselves into voices on the stage. I was in the front due to my height and there were a few people doing the solo further back in my section. I tried to move further back to join the others but then was unable see the conductor.

So, in front of 150 people she told me I could stay where I was but I had to sing very quietly.

At first I was a little annoyed – if I have to sing very quietly, why should I bother singing at all? – and I felt like I was being singled out as an inconvenience. But I then thought of the group and the end result. I didn’t know what the conductor was hearing from her perspective but if her goal was to achieve a unified sound with a couple of clusters of singers among the group and I was sticking out I had to be willing to reign it in.

So, I did.

And here’s another thing.

When you’re competing, there can be a sense of disconnect, of otherness, of “we” and “they”, and when you’re in that mode you may be blocking out the potential to learn and grow.

While all of the groups at the festival have had their own levels of accomplishment, there was one choir, Cantus, that would probably be considered the celebrities. You see, they performed the opening song in the Disney smash hit, Frozen,  and coming into the festival we were all excited to hear them.

And they were amaaazing! We were in awe, to be frank.

Now, if one was being competitive about it, there would probably be all sorts of thoughts going through one’s head and, beyond the first few notes, not a lot of attention would be paid to the actual music.

But in the spirit of collaboration, not only can you appreciate the beauty of the sound but you can also be more aware of what is happening and learn from it. What is their balance like between sopranos and altos? How are they positioned on the stage? How often do they rehearse? In short, what makes them as good as they are? You begin to notice the elements that make up a great performance and then you can take those elements unto yourself to make you a better artist.

Even in an actual competition, the idea of eliminating the competition aspect of it all can allow you recognize the greatness in the other competitors to help you make your performance better. You don’t hear singers on The Voice bashing each other – at least not on camera. 🙂 They seem to be inspired by each other and they become stronger artists for it.

So, there you go! Maybe you do this already but I invite you, if you’re ever working with other people or competing against them, to step back and appreciate and learn rather than seeing them as the enemy. Who knows? You might even makes some new friends in the process!

Let’s keep the conversation going, shall we? Feel free to add your two cents or a nickel in the comments section below and share this post with your peeps!

 

Have a great day!

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, cantus, canzona, choir, choral singing, competition, creative collaboration, electra, esprit de choeur, manitoba music, swimming tigress music

The Importance of Choir – An Interview With John Rutter

April 14, 2015 by tprochera 1 Comment

John_RutterHey guys!

 

Have you ever been part of a choir, be it through a church, your school or a maybe you joined a community group?

I have been in a number of choirs throughout the years. I joined my first choir, a youth community group, when I was six and always participated in the school choirs even into university.  In recent years, I have been privileged to be a member of a women’s choir that will soon be heading off to an international conference with world renowned groups. So this topic has been on my mind!

There is something about the experience of choral music, especially as a participant but even as a listener, that creates this sense of connection to the other singers and to the world as a whole. If you’ve ever been singing in a group and allowed yourself to truly be in the experience – trying not to think about what you’re going to make for dinner when the rehearsal is over, etc. – you’ll know what a magical thing it can be. The harmonies take you to another place and you almost wish you could stop singing to absorb it all but you also know that your vibrations mingling with those of the others is part of that magic.

I would like to share with you an interview with the acclaimed British composer, John Rutter, on The Importance of Choir, originally posted on the J.W. Pepper website. In it, he explains the significance choral music has for the individual and society at large.

Enjoy!

So, if you’ve never been in a choir before, you might want to try it and, if it has been a while and you’ve been thinking about singing again, look around and see what groups are in your community and have fun!

And, remember, if you want to add your two cents or a nickel to this topic, post your comments below! I’d love to hear what you think!

 

Filed Under: Uncategorized Tagged With: choir, choral singing, composer blogs, j.w. pepper, john rutter, jw pepper, manitoba music, music and the brain, music blog, performance, singing, swimming tigress music

Healing Through Singing

April 8, 2015 by tprochera Leave a Comment

singing for health“From the honk of a car horn to kids playing at the park, from the sizzle of an egg cooking to the reports on the daily news, from the myriad radio stations to, perhaps, your own music-making, sound vibrations and frequencies make up our entire world and have from the beginning of time. Even the creation of the universe is thought to have been the result of sound, according to many creation stories and the Big Bang theory.

What effect are all these sounds having on our body, though, and how can we use sound to aid our healing journey?”

I just get chills reading this! Don’t you just want to learn more?

Music is sound. Sound is energy. And energy can heal.

This is the idea behind the brilliant blog post from Angela Winter entitled Singing For Your Health originally posted on the TheCleanYogi.com .  It’ s another testament to the power of music and they ways in which it can benefit our lives.

I am so pleased to be able to share this information with you and I encourage you to check out the complete blog post here  so you can learn more about how sound and vibration can be used to affect the cells in our body to promote healing.

Incredibly powerful stuff!

 

In STM news, we’ve been having fun!

On March 21, I had the pleasure of watching a young man named Nicholas perform Doodley Doo from Bad Moods and Seven Other Super Reasons to Sing a Silly Song in a trophy competition at the Winnipeg Music Festival. He did a fabulous job – he had choreography and everything – and was a runner-up for the trophy!

I’ve also created a couple more lyric videos for songs from the upcoming album, Ladybug Crossings. Check out What to Do? and Mr. Duckworth and Mrs. Bunnington – both originally from my Bad Moods collection – and the brand new Busy, Busy, Busy, Busy Day!

Enjoy!


Well, that’s about all for now!  Have a fabulous day and keep singing!

 

 

Filed Under: Uncategorized Tagged With: bad moods, blogs about music, canadian composer, children's music, composer blogs, ladybug crossings, manitoba music, music for kids, swimming tigress music, tiffany, tofaru, winnipeg music festival

Learn how to get over stage fright with MuseTV

September 2, 2014 by tprochera Leave a Comment

stage fright 1Stage fright – that moment before your performance or presentation that can seem like hours – and sometimes it does last hours! – where you find yourself shaking with sweaty palms, thoughts of doom running through your head.
You tell yourself it’s going to be a total disaster and you can’t go on. You would rather die!
Getting up in front of a group of people doesn’t have to be a terrifying experience – really, it doesn’t!  But what can you do to get over these nerves so you can still go out and rock that stage?
In this episode of MuseTV, I offer you four tips to help get you back on track.


If you found the video helpful, feel free to share with your peeps, add your thoughts in the comments section below and subscribe to the Mews and Moos Blog for more fun stuff!
In other news, with the approach of fall, I am happy to be starting another season of vocal instruction this week! Yay! Always a fun time of year! If you or someone you know is interested in learning to sing, check out the Music Education video from the last post and don’t hesitate to contact me. With the advances in technology, not only can you take lessons with me in person if you live in Winnipeg but you can also study online via Skye.
What will they think of next?
Well, have a great day everyone! Carpe diem!

Filed Under: blogs about music, canadian composers, learn to sing, manitoba music, music teachers, stage fright, swimming tigress music-cat, tiffany prochera Tagged With: blogs about music, canadian compsoers, composer blog, learn to sing, manitoba music, music blog, music teachers, performance, public speaking, singing, stage fright, swimming tigress music

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