tiffanyprochera.com

  • SWIMMING TIGRESS MUSIC
    • Ladybug Crossings
    • Composer at your service
    • Sheet Music
      • I DON’T LIKE WINTER COLLECTION
      • Bad Moods
      • Brain Freezes
      • Dreams, Magic And Other Realities
      • A La Carte Sheet Music
    • Song Demos
    • Mocha And The Moon Musical
  • SWIMMING TIGRESS PRESS
    • 24 Days in December
    • Christmas Scavenger Hunt
    • Idea Factory Book
    • Candle At Both Ends
    • Mocha And The Moon Book
    • Tabitha’s Magical Voice
  • VOICE TALENT
  • ABOUT AND MORE
    • BLOG
    • CONTACT
  • SHOP

The Mozart Effect and Using Art to Heal

March 1, 2016 by tprochera Leave a Comment

mozart effectHey all!

So, I am revisiting a book called The Mozart Effect by Don Campbell. It’s all about the power of music and sound to heal and largely follows the research of Alfred Tomatis, a French physician who discovered ways of treating everything from Alzheimer’s to autism with sound. And there’s more. Different genres and even the music of specific composers can be used to boost creativity and subconsciously reorganize the brain. As the saying goes, there’s something in it for everyone!

I actually 5 weeks one summer at a listening therapy clinic in Toronto. I was helping the therapists working with kids with autism as they were listening to recordings of their mother’s voice with the lower frequencies taken out. The intention was to recreate the sound of the voice in the womb and, hopefully, increase communication. It was a fascinating experience. I actually had a little girl take my hand and, with determination in her non-verbal little voice, lead me around the room. According to the therapist, she was trying to arrange me, put me in my proper place in her space. I was a part of her tableau! While I was a little miffed at being bossed around, I was pleased that she at least wanted me in her picture! 🙂

But I digress. So, there are so many things that are coming up for me as I continue reading this book. How can I help others heal with my work? How can I use music to help others, even if it’s not mine? How can I help improve my own life with these techniques?

Have you ever thought about how you might be able to use your art form to heal – not just through the stories you tell, but through the technical processes of your medium? There is a growing interest in art therapy – with people working in hospitals and clinics to promote recovery and wellness. To practice music therapy, you actually need to get a degree and I imagine that’s pretty common among the art forms. But if that’s quite your thing or you’re not really interested in working in a clinical environment, you might want to consider at least doing some research into the field to see what techniques or applications you might want to incorporate into your work to make it even more impactful.

Just a thought!

 

candle cover shadow oct 2014

And in Swimming Tigress Music Land, I am super happy to announce that we are now On The ‘Zon! I think that should be a new hashtag – #OnTheZon !

Anyway, I have finally released three Kindle ebooks on Amazon – A Candle Amocha cover page feb 2016 smaller jpgt Both Ends, Tabitha’s Magical Voice and the original story of Mocha And The Moon – along with the paperback version of Candle.

 

There is a TABITHA-cover-jpg-smallerload of inspiration and fun in these reads to I invite you to check them by visiting the links below and get your copies today. And you can spread the word while you’re at it! Enjoy!

 

 

Candle At Both Ends: http://www.amazon.com/dp/b01c3j0x02

Tabitha’s Magical Voice: http://www.amazon.com/dp/b01c4jqnfa

Mocha and the Moon: http://www.amazon.com/dp/b01c3k6xfk

Filed Under: Uncategorized Tagged With: Alfred Tomatis, art therapy, blogs about music, books for kids, canadian composer, canadian music, candle at both ends, composer blogs, creative inspiration, creative living, Don Campbell, inspiration, kindle ebook, mocha and moon, mozart effect, music and the brain, music blog, music therapy, swimming tigress music, tabitha magical voice, tiffany prochera, tips for artists, tools to create

Elizabeth Gilbert’s “Big Magic” and Weighing Down Your Creativity

February 3, 2016 by tprochera Leave a Comment

big magic 2Hey guys!

Right now, I’m watching Eat Pray Love for about the 6th time on TV. I love the sense of adventure and reinventing yourself! And, well, who wouldn’t enjoy eating a margherita pizza in Naples?!

So, of course, today’s blog post has to be about Elizabeth Gilbert.

I recently read her latest offering, Big Magic – all about the mystery and magic of creativity – and every chapter seemed to bring a new revelation or point to ponder. Some ideas I am absolutely on board with, others I’m just not sure how I feel about them yet.

Have you ever thought about what you expect from your creativity? Do you expect your creativity to bring you world fame? Have about millions of dollars or at least a reasonable living? How about a different understanding of the world, a greater sense of meaning that you can then share with others?

Well, how about this? Gilbert’s take on creativity is that it, in fact, does not owe us anything.

According to Gilbert, each idea is is a living, breathing entity looking for a place to happen, on a search for expression, and you should feel incredibly honoured if it chooses you as its channeling vessel. If you ignore it, it will move on to someone else – she has a crazy story about an idea that left her and found a new home – and if you expect anything from it other than the joy and frustration that comes with the act of creation itself, you are stifling it and potentially scaring it off.

Can’t say I’m not guilty of all of this myself. I have passed on ideas because I didn’t take the time to write them down and then, of course, forgotten them later on. I’ve had expectations that a work is supposed to be my break out thing, that it’s supposed to make me x amount of dollars within the year, that it’s going to affect specific people. I’ve even wrestled songs and stories to the ground to make sure they convey the message I want them to convey, which may not be the message they came here to convey.

So, apparently, a more effective goal might be to embrace and invite creativity – even woo and seduce it – and if you somehow get paid or get recognized for it, great. And if that happens on a relatively frequent basis, you might be secure enough financially to quit your day joy and engage in it full time. But you should never place such pressure on it because the work, the creativity, needs to be what it’s going to be and not what you want it to be.

So, my question is, what is your relationship to your creativity? What kind of expectations have you placed on it? Are those expectations working for you or is it time to, perhaps, re-evaluate, reschedule and reconfigure so that you get the best of all worlds?

I will leave you with that thought for today. Enjoy and please share your thoughts in the comment section below! I can’t wait to hear what you have to say!

 

Filed Under: Uncategorized Tagged With: Big Magic book, blogs about music, canadian composer, canadian music, composer blogs, creative inspiration, creative living, Elizabeth Gilbert, inspiration, manitoba music, swimming tigress music, tiffany prochera, tips for artists, tools to create

Write What You Know or Leave It All To The Imagination? Points To Ponder Courtesy of John Irving

January 14, 2016 by tprochera 2 Comments

So, I was recently listening to an interview with the celebrated writer, John Irving, author of The World According To Garp among many other great novels.

Near the end of the interview he said something that intrigued me greatly. He said that he has essentially led a boring life, one free of any serious traumatic events, and this has given him the freedom to imagine things much more horrific that have ever happened, or could ever happen, to him in real life.

Isn’t this an interesting concept? I’m sure we’ve all, at some point or another, been encouraged to work from our own experiences somehow, to “write what we know”. Irving seems to counter that idea, suggesting that, if “what you know” is too intense, you can become stuck in those moments and unable to venture outside of them. But if your reality is, well, dull and unremarkable then you have a blank slate and all possibilities are open to you. At least that’s how I’m interpreting his comments and I apologize to Mr. Irving if I am mistaken.

What do you think? Work from imagination or work from experience?

I think I get what he’s saying. If you have been through something worthy of building a piece of art around it (well, anything can really be seen in a creative light but we’re talking epic events here) I imagine it would be tempting to recreate everything as it happened from your recollection. And, coming from reality, the images would certainly be vivid. But the whole story might not make for the best piece of art in the long run. Maybe the essence of the event is fascinating but it would be even more so if x character were added or it took place in a different location or a different point in history.

It makes me think of The Silver Linings Playbook. I was absolutely mesmerized by the book – couldn’t put it down – but there were just enough details changed in the movie version to demote it from amazing to pretty good in my mind. It’s not the same thing but it is. Anyway, I get his point that, when you feel confined by reality, you might not be able to make the most compelling story possible.

What is your take on this theory? I’d love to hear your thoughts so put them in the comments section below!

Have a great day!

 

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian music, creative inspiration, creative living, inspiration, John Irving, manitoba music, music blog, swimming tigress music, tiffany prochera, tips for artists, tips for writers, tools to create, writing tips

An Interview With Visual Artist, Sharon Cory

December 10, 2015 by tprochera Leave a Comment

sharon paintingHey guys!

This week I wanted to open things up a bit and share some new perspectives. I thought it would be fun to get into the mind of Sharon Cory, a brilliant visual artist a painter, to be specific – who once hailed from Winnipeg, Manitoba but has recently relocated to Emerson and has been able to enjoy a thriving career through her art. So, asked her a few questions about her inspiration and her creative process and here’s what she had to say.

Me: When did you discover your love of painting? What attracted you to the medium?

Sharon: I’ve been making things with my hands since I was four or five. I remember that behind our house on Waterford was a factory that made upholstered furniture. There were always heaps of fabric pieces stacked outside in the garbage and I used to haul bags home to make crafts with. Things like doll purses and clothing. I would set up a table on the street and sell to the neighbourhood kids. As soon as I started school, I discovered the world of art materials and I was off and running. I learned from comic books how to shade, and use colour and all my spare time was spent looking at art and trying to copy how it was done. My grandfather was an artist and photographer, and although I was young when he died, I grew up knowing that it was a legitimate profession, although making a living at it was hard. I was the class artist throughout school, but was dissuaded from going into fine arts in university by the guidance counsellor because no one could earn a living at it, which was obviously a common theme. I went into architecture instead, but after the second year, realized that the fine arts faculty was where I should be. I had no interest in painting at that time because I fell in love with pottery…..it was just like being a child again, I spent all my time making things. But eventually I realized that it was the glazing I really enjoyed, the surface decoration.

Me: When did you first begin to identify yourself as an artist? When did you choose to pursue your craft in a professional manner?

Sharon: By my mid-twenties, I was sick of school, dropped out, still missing a few credits and got a job. After working for a few years to pay off student loans, I started to paint. By this time I was married and started having kids. I found that it was pretty easy to make painting a part of the daily routine and the kids were just as involved with their own art projects right alongside me. It was a very easy step into realizing how intrinsic art was to my life and when I sold my first painting, I felt like it could become my profession. It was probably another decade after that I felt like a serious artist, that is, I wanted to make, not just pretty pictures, but work that reflected who I am and how I felt about the world.

Me: On your website you refer to your family history, how your parents came from Lebanon, and speak about the Syrian refugee crisis and how we should be supportive and welcoming of these people in their time of need. You then include a series of works that seem to reflect on this topic and what the refugees are experiencing. How important is it for you to make a statement in your work? Do you always strive to convey a message?

Sharon: For the last twenty years I’ve felt like I’ve found my voice as an artist. I’m confident that the things that interest me visually are of interest to others and that I have the skill to interpret my impressions and opinions. Now that I’ve reached this stage, it’s impossible to go back to a perhaps more innocent kind of Art….you know, little children running through meadows of flowers, for example. There’s nothing wrong with that and often I paint something simple just for fun. But I see the world a certain way, I feel the hurt of war and victims, refugees, people who have suffered injustice. Painting these feelings helps me, in a cathartic way, to accept my powerlessness to right the wrongs.

At the same time, I feel life is wonderful, how people struggle to survive and raise their children is a beautiful process and by recording it, I can share in their struggle. We are all refugees in small ways….we live with fears and anxieties that make us feel like our life could collapse at any time and we have to be prepared to flee to safety. It’s all part of the process of growing. Many of my themes are centred around how women handle these stresses, because of course, that’s what I know.

I really feel it keeps me sane to play out these themes in my work. It’s the particular conversation that I want to have with people who look at my art. That answers question 5. The role of Art is to enable people to have a view into the many aspects of the world that they might not be able to experience physically. That’s why it’s timeless. We can look at a vista painted by Leonardo and feel like we’re living in Renaissance Italy.

Me: Your work has been widely displayed in galleries and you have been commissioned by a number of businesses and organizations. And yet, you also mention on your web site that you have no interest in promoting yourself. To what do you attribute your ability to have a thriving career without all of the self-promotion and hitting the pavement that so many artists dread but feel they must accept as part of getting themselves out there?

Sharon: It used to be the role of galleries and art agents to discover and promote artists whose work they felt was noteworthy or memorable in some way. Somewhere along the way it became more important to promote art that would make money and now things are way out of whack. Art has to have a gimmick to get noticed so artists have taken to promoting themselves. At some point you start feeling like a hooker, so I’ve concentrated on building a body of work and getting it out there by looking for a niche that I could fill. In my case, I found that I could paint recognizable scenes of Winnipeg that were still arty, and sell them to businesses. One or two clients led to ten then a few hundred, etc. Word travels quickly when there’s paintings hanging on the wall. To be successful, though, I had to develop a business attitude and look at my art as a product. This is anathema to most artists, but I could live with it as long as the commercial product was balanced by my own art. I looked at it as my day job that was still a lot of fun, because I was painting after all. I also set parameters for myself. I promised never to produce a painting that I would be embarrassed to sign. I refused to copy anyone else’s work or style. And as much as possible I avoided the middlemen of galleries and agents, and dealt directly with my client base.

Me: And last but not least, do you have any words of wisdom for those just starting out in their creative careers?

Sharon: I’ve spent a lot of time helping artists learn the tricks of making money at their art careers. The best thing they can do is put together a body of work before they start to sell. Through this process they’ll find out who they are, what they have to say, and they’ll get a lot of the embarrassing stuff out of their system. They have to brand their art , make it stand out from everyone else’s and that is a hard thing to do. They also have to find their market, the clients that will appreciate their vision. The world is flooded with good images, because of the net. Seeing good art everywhere can be intimidating and make a young artist feel like they have nothing new to say, so they end up copying. But if you look at the world of music, it’s easy to think that all the good songs have already been written so why bother? And yet, along comes a new hook, a melody that is completely new, a rhythm that hasn’t been heard. In art it’s the same. Technology has only added another way of looking at the world and opening our eyes. On a practical note, I’ve met thousands of artists who have a hard time selling anything, because they’re setting too high a price at the beginning. They want to jump in at the levels of established artists selling in galleries and it just doesn’t work that way. Start low and rise gradually as you get better.

 

I’d like to thank Sharon for her wisdom and insight. I know I was inspired!  To learn more about her work, you can visit www.sharoncory.com .

Have a great day!

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian music, composer blogs, creative inspiration, creative living, painting, Sharon Cory, swimming tigress music, tips for artists, tools to create, visual arts

A Curious Mind – The Book And The Thing

November 6, 2015 by tprochera Leave a Comment

Hey guys!

So, I recently had the pleasure of reading A Curious Mind by Brian Grazer, the highly-respected and spiky-haired producer behind TV shows such as 24 and movies such as The Da Vinci Code and Frost/Nixon.

Grazer attributes his success in work and life in large part to his curious nature. He’s not afraid to ask questions and he intentionally seeks out inspiration and understanding. For decades, he has made a point of finding people whom he considers to be interesting for their life experience, their knowledge, and going to great lengths to arrange meetings with those people to learn from them in some way, shape or form – from Fidel Castro to Oprah Winfey. He calls these meetings “curiosity conversations”.

While I was reading this book I thought to myself, how curious am I? Certainly, I would consider myself an intelligent person and I read a fair amount, But how often do I let myself follow the breadcrumbs? How often do I seek out information from people? And when I am engaged with others, do I really dig in and ask questions or do I just sit back and let the other person talk, sharing what they will? What could be gained from that new mindset?

And so I thought I would try really digging in and approaching every interaction with a truly curious mind and I realized that I had been missing so much! There was so much to learn that I was letting slip by because I wasn’t as engaged as I could have been.

It’s rather new development but I’ve already been inspired by it and have noticed a difference in my creativity. I have been asking more questions of people and where they come from and it gives me new ideas to think about. When I come across something that intrigues me, I’m trying not to put it in my back pocket and say, “Oh, I’ll check it out at some point,” knowing that I probably never will. I’m trying to follow up and check it out.

Could you be more curious? What do you think would happen if you saw life as an adventure, something to really explore and investigate?

When you approach life with curiosity, you can be taken down roads you never expected. And, as a creative person, the new and unexpected is always fun, isn’t it? So, let’s take a page out of Brian Grazer’s book – literally! – and begin cultivating our curious minds!

 

Have a great day!

Filed Under: Uncategorized Tagged With: blogs about music, brian grazer, canadian composer, canadian music, composer blogs, creative inspiration, creative living, curiosity, curiosity conversation, curious mind book, inspiration, manitoba music, music blog, oprah winfrey, swimming tigress music, tips for artists, tools to create

Challenging Your Thoughts – Reminding Yourself About Who You Are

October 29, 2015 by tprochera Leave a Comment

artist 1Hey guys!

Okay, today’s blog is going to get a little bit deep and I’m hoping it will inspire all who need inspiring. That’s what I’m all about, after all!

So, I am currently working on some new career opportunities and have been sending out e-mails etc. as you do. As I was sending, I felt in my gut that I should actually be contacting people directly and all of that instead of the “To Whom It May Concern”, general company inbox thing but I’ll admit it, I was nervous for a number of reasons. I mentioned my activities to my sister, the fabulous life coach extraordinaire, and she, of course, brought up the fact that I should be digging deeper and making the connections.

I actually started shaking as I listened to her talk on the phone.

I told her that, even though I have read countless stories about positive interactions with big, important people, I kept hearing rejection in my head. I heard people saying, “Oh, everyone who talks to me wants something from me,” or, ”You music people, always bugging people, scrounging around for a gig,”

And it occurred to me. How much of this negative thought process, this perception of how others will react to me, is about how I might see myself and how much is a result of society’s perception of artists, or at least what I consider to be society’s perception of artists?

I felt, in my mind, that people who did not identify themselves as creators saw creators in the stereotypical “starving artist” light. Artists were the ones begging others to notice them – please listen to my album, please read my book – because what they did was of no real value – a fluffy little luxury, really – and, at any point in time, there would be millions of others trying to do the same thing. No matter how much I valued what I did and knew of its intrinsic worth in society – I can’t imagine what the world would be like without music or film or storytelling – I never thought that others, even those in the industry in a more executive capacity, would see it that way. I assumed that, in meeting with a film producer for example, I would be told, “You are the tenth person who has approached me about this today. I’m tired of all you people thinking that I’m going to give you a job.”

Do you ever feel that way? Do you feel like others may not see what you do as worthwhile so you are afraid to approach them for fear of rejection? Am I the only one?

I realized at that moment that this was the belief I had to abolish if I was ever going to get where I wanted to go.

To achieve great things, you must take some bold risks. You can start off slowly, taking baby steps towards your goal, but, as the momentum builds, you are going to have to do some things that scare you, like making that first phone call to somebody you really want to talk to but have felt might be out of your reach. And if I was going to do that, I had to adopt the belief that they might actually want to talk to me. I had to believe that I was worth their time, had something valuable to contribute, and that they would also realize this. True, I had to be prepared for the fact that not everyone may say yes, that my reaching out may not come at the most opportune time or my work might not be to everyone’s taste, but I had to have faith that there would be a place for me out there and there would be someone who would welcome what I had to offer.

So, if you catch yourself feeling this way, like others may not see you as being worthy of their attention so you don’t even try, I invite you to challenge this thought. I have put together a little affirmation of sorts that you may want to use when you feel those doubts creeping in. But feel free to make up your own!

 

I am a talented artist who creates out of love for the good of all.
I have something valuable to contribute to the world and I need not fear reaching out to others so that I may share it.
My creativity is a gift from the Divine and it will blossom in the right place at the right time with inspired action and faith.

 

There you go! Use as you wish, have a fabulous day and keep on creating!

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian music, challenge your thoughts, composer blogs, creative inspiration, creative living, manitoba music, music blog, positive thinking, swimming tigress music, tiffany prochera, tips for artists

Cross-Inspiration: Learning From Other Art Forms

September 17, 2015 by tprochera Leave a Comment

crossinspirationHey guys!

A couple of weeks ago, I talked about trying on other creative roles, suggesting that we often identify ourselves in a certain way and it can sometimes keep us in a box so it can behoove us, if you will, to try something new to inspire us and to see things from a different angle.

Today I’d like to talk about being inspired by art forms other than those in which we currently engage.

As a musician, for example, I am often inspired by the music I hear, by the elegant poetry of the lyrics, the unexpected chord progressions or the effective production of the recording. And, while I would never attempt to take from another’s work, it is only natural for a person to learn from the work of others in their field.

But I can also learn and grow as a musician from things that are not music-related. My musical inspiration can come from many places, and by that I do not mean seeing daily events as thematic material for my work. There’s more to it than that.

Sometimes dancing can make me think of music. Sometimes a scene in a movie can bring melodic motifs into my head. These are obvious pairings as most dance is performed to music and there is a musical score behind most films.

But it’s not even about these art forms working together in an expected way.

When I was directing a musical earlier this year, there was a character in the show who was a refined and, yet, passionate man of Russian background. I suggested to the actor portraying him that he view videos of the amazing figure skater, Victor Petrenko. I gave him this homework because I wanted him to sing and act like Petrenko skated, with that technical perfection infused with emotion that was both moving and mesmerizing to watch.

When you watch a great new film or one of your existing favorites, notice the pacing of the action of the dialog. Notice the setting. Can you use any of the stylistic or linguistic techniques to enhance your own work? What would the bold colours of a film from the 1960’s look like as a musical piece? Does a brush stroke in a painting make you think of a haunting cello line? Does that small statue of a little girl in the museum inspire a poem or, perhaps, an entire novel telling her story?

This is all about creating a kind of artistic synesthesia, if you will, whereby the different art forms inspire and fuel each other. More about synesthesia in a future blog post.

 

In Swimming Tigress Music news,

We are now well into September, the new lesson season. So, if you or anyone you know is looking to experience the joy of learning to sing, I am currently accepting students in person and via Skype for the upcoming year. You can find more information on the Music Lessons page on this site and then contact me through the Contact page if you have any questions.

 

Well, that’s all for now. Have a fabulous day!

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian music, children's music, creative inspiration, creative living, kickstarter, ladybug crossings, music for kids, music teachers, swimming tigress music, tiffany prochera, tips for artists, tofaru, tools to create

Don’t Let The Tech Get You Down!

September 11, 2015 by tprochera Leave a Comment

frustrationHey guys!

 

So I had a blog post already to go for this week and then something happened. In my attempt to lift my laptop off of my ottoman on Wednesday, I managed to drop it. My foot broke the fall but, apparently, it was enough of a jostle to cause the back light to go out so it would boot up but the screen was completely black. I brought it in and, because of a few other issues that were already present, the fellow told me it wasn’t worth fixing and I should just get a new one.

So, for the time being at least, I was unable to post the blog but that’s okay because this scenario inspired a new topic altogether!

Now, this might get a little woo woo but I’m all about the woo woo so stick with me here.

Most of us use technology to create or at least support our creativity. Whether you write or compose music on a computer or you use social media to let your fans know about your next art show, technology is a part of what we do.

And sometimes things go wrong. Sometimes things go wrong at a critical moment when they really need to be going right. Your hard drive crashes just before your album’s about to drop. Your audio software won’t let you make the mp3 files that you need to send to a voice client asap.

At moments like that, thoughts can be going through your head like, “Maybe I’m not meant to do this. The universe is giving me a sign that I need to change my direction.” Trust me – I have had those thoughts many times!

But here’s the thing. The universe is not giving you a sign that you should quit.

If you have the desire to keep on, then you’re supposed to keep on. What the universe is telling you is it’s time to upgrade so things run more smoothly for you in the future. The universe is telling you to release the album next week when it will be better received because of some event that will make it the perfect time for your music to get out into the world. The universe is telling you that you might want to listen to that audio file again because you somehow failed to delete some profanities that you dropped after you made a mistake while you were recording.

And sometimes these things just happen because they happen.

When I was studying music at university, one of my professors said something I will never forget. He told us to not let our work be limited by technology. In that scenario, he was referring to the capabilities of certain software and how we can always find a way to do what we want to do but that advice applies here as well.

When you experience those crisis moments, after you’ve shed the necessary tears and cursed the gods above, sit still for a moment and ask yourself, if this wasn’t happening right now, do I still love my work? Do I love creating music/writing/making films? If you can say that, if you acknowledge that you still love the essence of the craft, than you are still supposed to be doing it.

Maybe there is a way of working that uses less technology if that’s more comfortable for you. Maybe it’s about upgrading your tools so you can work more effectively. Or maybe it’s about learning to be patient, keep calm, know that these things happen and you can work through them.

 

In Swimming Tigress Music news,

It’s September, the start of the new lesson season. So, if you or anyone you know is looking to experience the joy of learning to sing, I am currently accepting students in person and via Skype for the upcoming year. You can find more information on the Music Lessons page on this site and then contact me through the Contact page if you have any questions.

 

Well, that’s all for now. Have a fabulous day!

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian music, composer blogs, creative living, ladybug crossings, manitoba music, music for kids, music teachers, music technology, swimming tigress music, techical troubles, technology, tiffany prochera, tips for artists, tools to create

Muse TV – How To Address Expectations And Questions From New Students

September 4, 2015 by tprochera Leave a Comment

Muse TV  how to deal with situations title image Hey guys!

So, this week I would like to present another episode of Muse TV!

If you haven’t see it before, Muse TV provides tips and tricks for musicians and music teachers.

This episode is called How To Deal With Expectations From New Students. As music teachers, we are presented with students who want to take music lessons for a variety of reasons and each student comes with their own expectations of how lessons should go and what they are looking to get out of them – the stories are really as numerous as the number of potential students!

I wanted to present some scenarios that I have encountered personally so help those beginning teachers who may not quite know how to respond to these expectations and questions – like, what can you say when a student tells you they just want to be famous? Or what if they don’t want to do warm-up exercises?

I hope you find this episode illuminating in some way! And if you have any other scenarios that you have experienced, feel free to share the story and how you handled things in the comments below! I’d love to hear what you have to say!

 

 

 

Well, that’s about all for now. Have a fabulous day!

 

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian music, composer blogs, creative inspiration, creative living, learn to sing, music teachers, singing lessons, swimming tigress music, tiffany prochera, tips for artists

The Beauty of Creative Cross-Inspiration

August 20, 2015 by tprochera Leave a Comment

crossinspirationHey guys!

So, a couple of weeks ago, I talked about trying on other creative roles, suggesting that we often identify ourselves in a certain way and it can sometimes keep us in a box so it can behoove us, if you will, to try something new to inspire us and to see things from a different angle.

Today I’d like to talk about being inspired by art forms other than those in which we currently engage.

As a musician, for example, I am often inspired by the music I hear, by the elegant poetry of the lyrics, the unexpected chord progressions or the effective production of the recording. And, while I would never attempt to take from another’s work, it is only natural for a person to learn from the work of others in their field.

But I can also learn and grow as a musician from things that are not music related. My musical inspiration can come from many places, and by that I do not mean seeing daily events as thematic material for my work. There’s more to it than that.

Sometimes dancing can make me think of music. Sometimes a scene in a movie can bring melodic motifs into my head. These are obvious pairings as most dance is performed to music and there is a musical score behind most films.

But it’s not even about these art forms working together in an expected way.

When I was directing a musical earlier this year, there was a character in the show who was a refined and, yet, passionate man of Russian background. I suggested to the actor portraying him that he view videos of the amazing figure skater, Victor Petrenko. I gave him this homework because I wanted him to sing and act like Petrenko skated, with that technical perfection infused with emotion that was both moving and mesmerizing to watch.

When you watch a great new film or one of your existing favorites, notice the pacing of the action of the dialog. Notice the setting. Can you use any of the stylistic or linguistic techniques to enhance your own work? What would the bold colours of a film from the 1960’s look like as a musical piece? Does a brush stroke in a painting make you think of a haunting cello line? Does that small statue of a little girl in the museum inspire a poem or, perhaps, an entire novel telling her story?

This is all about creating a kind of artistic synesthesia, if you will, whereby the different art forms inspire and fuel each other. More about synesthesia in a future blog post.

 

In Swimming Tigress Music news, I am excited to announce our that I have just finished the last track for the Ladybug Crossings album! The lyric video for Mr. Willywallywolowitz will be out shortly and I’m expecting the album to be released at the end of September!

Speaking of September, it is almost the start of the new lesson season. So, if you or anyone you know is looking to experience the joy of learning to sing, I am currently accepting students in person and via Skype for the upcoming year. You can find more information on the Music Lessons page on this site and then contact me through the Contact page if you have any questions.

Well, that’s all for now. Have a fabulous day!

Filed Under: Uncategorized Tagged With: blogs about music, canadian composer, canadian compsoers, canadian music, composer blogs, creative inspiration, creative living, cross inspiration, inspiration, ladybug crossings, swimming tigress music, tiffany prochera, tips for artists, tools to create

  • « Previous Page
  • 1
  • 2
  • 3
  • 4
  • Next Page »

WORK WITH STM

If you are seeking a composer, songs or voice talent for your media project, it would be my pleasure to assist you!

Contact me at [email protected] for more information.

LET’S CONNECT!

Keep up with all the goodness at STM by following us on social media!

Link to my Contact
Link to my Facebook Page
Link to my Twitter Page
Link to my Youtube Page

Copyright © 2025 · Agency Pro Theme on Genesis Framework · WordPress · Log in